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500 Rule: The 500 Rule Is for the Stars

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Picture of Kent DuFault
Kent DuFault

Suppose you have dreamed about creating beautiful Milky Way pictures or any other form of astrophotography. In that case, you will find this guide very helpful when getting started.

We are going to discuss the 500 Rule. This rule is about keeping the stars sharp and focused in your pictures.

Here is what you will learn:

  • What is the 500 Rule?
  • How does it help with astrophotography?
  • What happens if you don’t follow the 500 Rule?
  • What is the 600 Rule?
  • Why are DX cameras and lenses different?
  • Why is it helpful to use a foreground object?
  • Post-processing astrophotography photos

Due to the earth’s rotation, stars will record on your camera as streaks of light across the night sky. This is a direct result of the long exposures that are required to capture the dimly lit heavenly bodies above us.

What Happens if You Don’t Follow the 500 Rule?

Your photos will display some level of star streaks across the sky. Those streaks aren’t necessarily bad, and you can use them for creative influence.

Photograph by Free-Photos

However, in some cases, such as photographing the Milky Way, you will want those stars sharp and clearly defined.

Without the 500 Rule, those streaks, depending upon your length of exposure, can be anything from slightly blurry pinpoints of light to full-blown semicircles across the sky.

Photograph by Free-Photos

You may have also heard of the 600 Rule. What?

The 500 Rule and the 600 Rule operate in the same manner. The difference is that the 600 Rule keeps the shutter open for a bit longer so that the stars’ light can be exposed longer.

Why would you choose one over the other?

With the 600 Rule, the longer exposures are adequate for Internet use or where the slight trails of the stars won’t be noticeable. The 500 Rule is preferable if you want tack-sharp stars or intend to print your pictures. In addition, even if your stars are a bit underexposed coming out of the camera, you can adjust them to perfection if you shoot in camera RAW.

I recommend the 500 Rule.

Photograph by Free-Photos

Write This Down

The 500 Rule states that to freeze the motion of the stars, you must determine your time value (the length of time that you’re going to leave the shutter open) by dividing the focal length of your lens by the number 500.

For example, a 50mm lens on a 35mm (or full-frame digital sensor) camera would be 500/50 = 10 seconds.

Photograph by Promo25

Photograph by Eberhard Grossgasteiger

You must include an additional calculation if you are working with a smaller sensor camera. This step takes into account the crop sensor factor.

Here is the 500 Rule formula, including the “crop factor” for a Nikon APS-C camera (as an example): 50mm lens x Nikon 1.5x crop factor = 75mm equivalent focal length. 500 divided by 75mm equals a 6-second maximum exposure length before star trails occur (always round down).

The 500 Rule states that to freeze the motion of the stars, you must determine your time value (the length of time that you’re going to leave the shutter open) by dividing the focal length of your lens by the number 500.

Crop sensor factors for Sony and Nikon are 1.5X, and for Canon it is 1.6X. For other brands, you will have to do some research.

Photograph by Luck Galindo

Bonus Idea: Use the Foreground

Photograph by John Fowler

If you include a foreground object, then bring an electronic flash and manually ‘pop’ the flash onto the foreground while exposing it to the stars.

  • Be careful not to point the flash toward the camera.
  • Keep your body in the shadows.
  • Start by setting the flash to auto mode with an aperture setting that matches your camera lens. Adjust as necessary.

Post-processing

Don’t worry if your image files come out of the camera looking flat in color and tone and uninteresting in general.

This lackluster appearance is expected in astrophotography.

You must post-process your images while paying particular attention to electronic noise, contrast, clarity, and color saturation.

Photograph by Christian Nielson

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